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The notion of Cancel Culture, which grew out of a mostly progressive move to hold people accountable for bad behavior (especially racist or misogynistic language), has recently been co-opted by conservatives who–in equal measure–bemoan its “woke” goals, cast themselves as its victims, and attempt to use it themselves as a political power play, while seeking to deplatform opponents with similar strategies. But is Cancel Culture really new? Or really that powerful? Or really that bad? Executive Produced by Trevor Noah and directed by Ferne Pearlstein, XCLD is a nuanced look at this provocative and controversial issue that explores the evolution of Cancel Culture, from its history in different forms, to its contemporary genesis on Black Twitter, to where it is today: another divisive issue for people to argue over, and one that creates some exceptionally odd bedfellows.
Q&A with Director Ferne Pearlstein, Producer Kiana Jackson, and Comedian Hari Kondabolu follows the screening
Presented In Partnership
This tense, touching, and funny portrait of family dynamics follows three estranged sisters as they converge in a New York apartment to care for their ailing father and try to mend their own broken relationship with one another.
A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant who demands to be fed.
A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant who demands to be fed.
A poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory.
A rock singer travels to a small Ohio town to make his “farewell” television performance and kiss his biggest fan before he is drafted.
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