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The notion of Cancel Culture, which grew out of a mostly progressive move to hold people accountable for bad behavior (especially racist or misogynistic language), has recently been co-opted by conservatives who–in equal measure–bemoan its “woke” goals, cast themselves as its victims, and attempt to use it themselves as a political power play, while seeking to deplatform opponents with similar strategies. But is Cancel Culture really new? Or really that powerful? Or really that bad? Executive Produced by Trevor Noah and directed by Ferne Pearlstein, XCLD is a nuanced look at this provocative and controversial issue that explores the evolution of Cancel Culture, from its history in different forms, to its contemporary genesis on Black Twitter, to where it is today: another divisive issue for people to argue over, and one that creates some exceptionally odd bedfellows.
Q&A with Director Ferne Pearlstein, Producer Kiana Jackson, and Comedian Hari Kondabolu follows the screening
Presented In Partnership
James Sweeney wrote, directed, and stars in TWINLESS, a delightful comedy that follows two friends who meet in a twin bereavement support group and form an unlikely, fragile bond that will go on to redefine their relationship to the past.
After the death of her husband, Tabatha — a young, tattooed, rebellious horse trainer — wrestles with financial insecurity and unresolved grief while providing refuge for a group of wayward teenagers on her broken-down ranch in the Badlands.
Narrated by Maya Hawke, VIDEOHEAVEN creates a monumental cinematic history of the beloved video store of a now bygone era.
After the mysterious disappearance of their baby daughter, a young couple receives strange videos and realizes someone has been filming their daily life.
A celebration of the power of storytelling, SPEAK. is an electrifying portrait of teen storytellers preparing to compete in the prestigious NSDA Championships, the “Super Bowl of public speaking”.
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